Networked Music Cultures

Contemporary Approaches, Emerging Issues

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Éditeur :

Palgrave Macmillan


Paru le : 2016-09-16



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Description

This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts.


The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. 


With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology. 

Pages
251 pages
Collection
n.c
Parution
2016-09-16
Marque
Palgrave Macmillan
EAN papier
9781137582898
EAN PDF
9781137582904

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
25
Taille du fichier
2990 Ko
Prix
147,69 €
EAN EPUB
9781137582904

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
25
Taille du fichier
686 Ko
Prix
147,69 €

Raphaël Nowak is a cultural sociologist interested in issues of music consumption and technologies. He currently teaches in popular music, social theory and cultural sociology at the University of Bristol, UK. He published his first manuscript Consuming Music in the Digital Age in 2015 with Palgrave Macmillan. 

Andrew Whelan is a sociologist based at the University of Wollongong in New South Wales, Australia. He has published previously on digital media, Australian media regulation policy, ‘extreme’ music and underground electronic music subcultures, peer-to-peer file-sharing and online interaction about music.

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