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Description
How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes? Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin films, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works such as these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.
Pages
n.c
Collection
n.c
Parution
2010-12-09
Marque
Oxford University Press
EAN papier
9780199731541
EAN PDF
9780199742035
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
2816 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
16,86 €
EAN EPUB
9780199830886
Informations sur l'ebook
Nombre pages copiables
0
Nombre pages imprimables
0
Taille du fichier
2755 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
16,86 €
Paul K. Saint-Amour is Associate Professor of English at the University of Pennsylvania and the author of The Copywrights: Intellectual Property and the Literary Imagination.

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