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Description
This Handbook offers new and previously unexplored  comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions.

Chapter(s) “Chapter 8.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.



Pages
482 pages
Collection
n.c
Parution
2024-01-22
Marque
Palgrave Macmillan
EAN papier
9783031387883
EAN PDF
9783031387890

Informations sur l'ebook
Nombre pages copiables
4
Nombre pages imprimables
48
Taille du fichier
14766 Ko
Prix
200,44 €
EAN EPUB
9783031387890

Informations sur l'ebook
Nombre pages copiables
4
Nombre pages imprimables
48
Taille du fichier
33782 Ko
Prix
200,44 €

Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes University, UK. She is the Principal Investigator of the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Her publications include, among others, the edited volume Rural Cinema Exhibition and Audiences in a Global Context (Palgrave, 2018).

Lies Van de Vijver is Co-Investigator and project manager of European Cinema Audiences. She edited Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Palgrave, 2020) with Daniel Biltereyst, runner-up for BAFTSS Best Edited Collection 2021.

Pierluigi Ercole is Associate Professor of Film Studies at De Montfort University, UK. He is Co-Investigator for the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories.

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